Tuesday, August 10, 2010

The Rainbow and the Identity Crisis in the Absaroka Range, Montana






We pulled off the interstate in Bozeman, Montana and following the Madison River headed to Norris, where a dirt road led us through cow pastures and other-worldly rock formations. We had traveled through the fronts of some strong storm systems with lightning dancing across the sky and gusts blowing Tommy around. Up on a ridge, we witnessed the most perfect rainbow arcing across the smoke black horizon. In flatter area, we stopped in scraggly sage brush and set up the tent. The gusts of wind that brought big drops of rain that pelted us made us seek out better shelter from the elements. I found a mound and we moved the tent a hundred yards so that it was hunkered down in a dugout somewhat protected from the surges of summer storm air. After moving the tent, we cowered in the truck, waiting for the storm to pass. We popped open some Moose Drool, the unofficial state beverage of Montana, or at least, one that we always pick up in the gas stations while passing through the state. As we waited, a line of cattle nervously advanced from behind the truck. I hadn’t noticed, but I had parked Tommy smack dab in the middle of a cattle trail. Confused, the cows hesitantly dispersed, surrounding both the truck and the tent. A cow stood staring and sniffing at the tent, totally perplexed and reticent to keep on keeping on, even on her familiar trail because a foreign object blocked her path. We waited and waited. Finally, I went out and played cowboy, shooing them away, their eerie green eyes were glowing in the darkness broken up by my bright LCD flashlight. They reluctantly held their ground, not paying me any mind nor knowing what to do with the Californian Cowboy with an identity crisis. I climbed the mound harboring the tent and discovered a massive crater created by a small meteorite or a mythological creature reminiscent of the smoke monster on the television program Lost. I could only think, This is Montana and this is what happens when a Californian comes thinking he’s a cowboy.

The Boys

"Love and Theft"

A prophet who has re-invented himself with the times reveals the secret of his lasting power in his 2001 album “Love and Theft”. Robbing the identities of a massive range of American folk heroes, Bob Dylan wears the masks of vaudeville performers, black-faced minstrels, rockabilly nomads and country story-tellers to give us a slice of an American Pie too real not to recognize. Dylan’s deceptive shape-shifting and identity theft is so honest, just like the Duluth-Minnesota-born folk singer, Robert Zimmerman, who came to New York City in 1961 claiming he was a New Mexican-born troubadour. Bob Dylan has famously been so elusive and secretive, but on this album and all of his other albums, he bears his soul like a true poet. His more recent albums, like “Love and Theft” written in the autumn of his days, reveal a life that has been truly felt.

Rise Up With Fists



Death is hard enough as it is, but what’s worse is the death of an ideal, idealism or an idealist. That is why Don Quixote’s death is so hard to take. When someone with so much conviction, such a strong will to live in a world better than the one that begot him dies, we see the death of what is truly the gift of life. This is the saddest story ever told, and every generation tells it.

Approach




Wapaloopsie Mountain, Kettle River Range, Eastern Washington




Author Photo




“The things in my head don’t come in words.” Wild Bill Hickok

Hurricane Hill Wildflower Walk




Sky Pilot, Crown Jewel of the Olympics

Friday, July 16, 2010

Goat Mountain Ascent







A yellow glacier lily field, Mt. Shuksan, a butterfly and Baker in the distance.